William Eggleston signed color photograph of beach sand
William Eggleston (American, 1939- ) untitled chromogenic print, signed l.r., Southside Gallery label on verso visible image measures approximately: 19 1/2″ W x 13 1/4″ Hframe measures approximately: 30 1/2″ W x 25 3/8″ H Please note that shipping charges are inclusive of insurance, payment processing (if paying by check or cash, processing fee will be refunded) and carrier fees. If local pickup is selected and if applicable, payment processing fee will still be assessed and due. About William Eggleston William Eggleston’s highly saturated images highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson, Eggleston broke away from traditional black and white photography and began experimenting with color in the late 1960s. At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston’s significant legacy in the history of photography. MZ1
Flatiron Building NYC 1992 Art Print Card Photo Reza Estakhrian Fotofolio 4”x6”
Inventory Code: B35.
Socks Clinton The Cat Art Print Card Photo By Mike Nelson 1992 Fotofolio 4”x6”
Inventory Code: B29.
1950 1981 Male Nude In Bed Gay George Platt Lynes Art Photo Photogravure 11 X 14
We combine shipping. Authenticity Guarantee: You’ll receive a signed Authenticity Guarantee with each photo/print. From a recently acquired large collection of quality, original photos. All our photos/prints are 100% original, produced the year shown and NOT a current reproduction created for resale. If you are not completely satisfied for any reason, simply return for a full refund, no questions asked. Our 4 ply mounting board is the finest manufactured for today’s museum and fine art professionals. Made from 100% virgin cotton fibers.About the Photographer: George Platt Lynes was an American fashion and commercial photographer who worked in the 1930s and 1940s. He produced some photographs featuring many gay artists and writers from the 1940s that were acquired by the Kinsey Institute after his death in 1955. Title: Male Nude In Bed Gay George Platt Lynes Art Photo IISize of photo in Inches: 9.75″ Wide 7.8″ High Border: No border, full bleed. Photo Type: Duotone Photo Engraving Overall size on white mounting board: 11″ X 14″ Frame Ready Print Origin: Hong Kong Print maker: South Seas Press Finish: Satin Matte FinishDate of Negative: 1950Date of Print: 1981Subject: George Platt Lynes art photography Powered by SixBit’s eCommerce Solution
1941 1981 W Somerset Maugham & Nude Male George Platt Lynes Art Photo 16×20
Subject: George Platt Lynes art photography. Date of Negative: 1941. Date of Print: 1981. Print maker: South Seas Press. All our photos/prints are 100% original, produced the year shown and NOT a current reproduction created for resale.
Photographic Art Work by David Ritchey. Signed and dated. Title: «grab bar»
Photographic Art Work by David Ritchey. Signed and dated. Title: «grab bar». Local artist with varied career. Developed new photographic techniques for art work.Yale graduate,now deceased. 14”x 9”
VICENTE . Photography / Gelatin paper / Contemporary Art . Mexican Art .
VICENTE. Photography / Gelatin paper / Contemporary Art. Mexican Art. • Title: <> • Technique: Photography / Gelatin paper • Size: 7 ½ x 10 inches • Executed: 1984 • Signed: Vicente PROVENANCE Private collection, Havana. Acquired from the original owner by the current owner. This photograph, taken by a Mexican artist whose last name we do not know, reflects the author’s intention to capture the essence of their people, their love for traditions, and popular festivities. Although the image is static, one can imagine the hustle and bustle of the celebration: the sound of laughter and lively conversations, the aroma of delicious typical dishes, and the feeling of camaraderie that fills the atmosphere. «The Day of the Mules» is more than a simple festivity; it is an occasion to honor the relationship with the animals that have been fundamental in the country’s everyday life and agriculture. In this frozen portrait of time, the very essence of Mexico and its ability to celebrate its roots and heritage with fervor and pride is captured. The photograph evokes a timeless nostalgia, transporting us to a past where traditions were passed down from generation to generation, and where the sense of community and unity was exuberantly expressed in every popular celebration. In conclusion, this black and white image captures the essence of «The Day of the Mules» in 1984, a Mexican festivity that transcends time and invites us to appreciate and value the cultural richness of a country that finds its identity in its traditions and its people. The piece is dedicated to José Veigas, an important figure in the documentary history of Cuban art. VICENTE. Fotografía / Gelatin paper/ Arte Contemporáneo. Arte Mexicano. • Título: <> • Técnica: Fotografía / Gelatin paper • Medida:7 ½ x 10 pulgadas • Ejecutado: 1984 • Firmado: Vicente PROVENANCE Colección privada, Habana. Adquirido del propietario original por el propietario actual. Esta fotografía realizada por un artista mexicano cuyo apellido desconocemos refleja la intención de su autor para captar la esencia de su pueblo, su amor a las tradiciones y festividades populares. Aunque la imagen es estática, se puede imaginar el bullicio de la celebración: el sonido de risas y pláticas animadas, el aroma de deliciosos platillos típicos, y la sensación de camaradería que impregna el ambiente. «El Día de las Mulas» es más que una simple festividad, es una ocasión para honrar la relación con los animales que han sido fundamentales en la vida cotidiana y la agricultura del país. En este retrato congelado en el tiempo, se plasma la esencia misma de México y su capacidad para celebrar con fervor y orgullo sus raíces y herencia. La fotografía evoca una nostalgia atemporal, transportándonos a un pasado en el que las tradiciones se transmitían de generación en generación, y donde el sentido de comunidad y unidad se expresaba de manera exuberante en cada fiesta popular. En conclusión, esta imagen en blanco y negro captura la esencia de «El Día de las Mulas» en 1984, una festividad mexicana que trasciende el tiempo y nos invita a apreciar y valorar la riqueza cultural de un país que encuentra su identidad en sus tradiciones y su gente. La pieza está dedicada a José Veigas, importante figura de la historia documental del arte cubano.
Photos sheet 1988 GDR woman girl nude art the magazine vintage BG
„Der Verkauf erfolgt unter Ausschluss jeglicher Gewährleistung. “ Die Folge: Wenn mit dem Foto etwas nicht stimmt, außer es nicht mit dem Kauffoto übereinstimmt, muss ich weder nacherfüllen noch den Kaufpreis erstatten.
Brigitte Bardot Photo Art Print Csrd By Sam Levin 1988 Hazan
Inventory Code: B23.
«Co-Op Creek» by Rick Preston 1988 #3, matted and signed,NO FRAME.
You get what’s in the pictures, very good condition and very clean. Actually, in excellent condition, it was in an inexpensive frame.