[PHOTOGRAPHY] ARCHIVES JAMES A. FOX (MAGNUM AGENCY) BOXING (248)

Co-founder of the Sygma agency, he was then in Paris, editor-in-chief of the famous Magnum Agency for 30 years, and the friend of many photographers like Henri Cartier-Bresson, His own work as a photographer remained for a long time secret, he really wanted to separate his work from his «hobby», but since 1973 he had been passionate aboutworld of boxing, and spent his nights or his vacations, devices slung over his shoulder on the edge of the rings, or behind the scenes and the locker rooms THE anonymous interested him much more than the Stars , the «show biz» and the glitter, what fascinated him was to capture a certain truth, the «magic moment», the tension before the fight, the relaxation in the locker room, His work over several years alongside Joël Bonnetaz, unknown to the general.

[PHOTOGRAPHY] ARCHIVES JAMES A. FOX (MAGNUM AGENCY) BOXING (248)

Co-founder of the Sygma agency, he was then in Paris, editor-in-chief of the famous Magnum Agency for 30 years, and the friend of many photographers like Henri Cartier-Bresson, His own work as a photographer remained for a long time secret, he really wanted to separate his work from his «hobby», but since 1973 he had been passionate aboutworld of boxing, and spent his nights or his vacations, devices slung over his shoulder on the edge of the rings, or behind the scenes and the locker rooms THE anonymous interested him much more than the Stars , the «show biz» and the glitter, what fascinated him was to capture a certain truth, the «magic moment», the tension before the fight, the relaxation in the locker room, His work over several years alongside Joël Bonnetaz, unknown to the general.

[PHOTOGRAPHY] ARCHIVES JAMES A. FOX (MAGNUM AGENCY) BOXING (248)

Co-founder of the Sygma agency, he was then in Paris, editor-in-chief of the famous Magnum Agency for 30 years, and the friend of many photographers like Henri Cartier-Bresson, His own work as a photographer remained for a long time secret, he really wanted to separate his work from his «hobby», but since 1973 he had been passionate aboutworld of boxing, and spent his nights or his vacations, devices slung over his shoulder on the edge of the rings, or behind the scenes and the locker rooms THE anonymous interested him much more than the Stars , the «show biz» and the glitter, what fascinated him was to capture a certain truth, the «magic moment», the tension before the fight, the relaxation in the locker room, His work over several years alongside Joël Bonnetaz, unknown to the general.