North Africa ethnic Arab nude male original vintage 1910s LEHNERT & LANDROCK
What stands out about this piece is the 4 x 6 in scale that brings the subject up close.
North Africa ethnic Arab nude male original vintage 1910s LEHNERT & LANDROCK
You will find that the 4 x 6 in size is intimate, making the image feel personal and close.
North Africa ethnic Arab nude male original vintage 1910s LEHNERT & LANDROCK
At 4 x 6 in, it is small enough to sit on a nightstand yet still commands attention.
North Africa ethnic Arab nude male original vintage 1910s LEHNERT & LANDROCK
You will find that the 4 x 6 in size suits gallery walls without overwhelming neighboring pieces.
North Africa ethnic Arab nude male original vintage 1910s LEHNERT & LANDROCK
At 4 x 6 in, the photograph has an approachable feel that suits small apartments.
North Africa ethnic Arab nude male original vintage 1910s LEHNERT & LANDROCK
At 4 x 6 in, this print fits easily on a bookshelf or desk without taking up much space.
North Africa ethnic Arab nude male original vintage 1910s LEHNERT & LANDROCK
At 4 x 6 in, this photograph feels intimate, almost like a snapshot meant for personal spaces.
Handsome cabinet card by Jean Geiser: man, Kabyle, albumen photo c. 1880
His simple cloth tunic and hood speak to traditional Berber dress, while his direct stare challenges colonial photographic conventions of the era. It is in excellent overall condition with minor surface imperfections, marks, and scratches.
Rare albumen portrait by Jean Geiser: handsome young man, Kabyle c. 1880
Created around 1880 in French Algeria, the picture is a compelling example of Geiser’s work. The close-up format allows for a more personal encounter and creates a detailed portrait of this youth, who is known to have posed for at least one other picture.
Handsome cabinet card by Jean Geiser: young man, Kabyle, albumen photo c. 1880
His simple cloth tunic and hood speak to traditional Berber dress, while his direct stare challenges colonial photographic conventions of the era. The background has been inked in as a solid field, and upon close inspection, traces of retouching are visible—common practices in 19th-century portrait photography that enhanced the subject’s presence against the stark backdrop.