Countryside Landscape Glass Photo Stereo Plate, Black & White Positive 6×13 cm

PLEASE NOTE this is a POSITIVE. Dimensions of the plaque: 6 x 13 cm. Sold as is, plate not cleaned. This image shows a large expanse of countryside, with tall grass and trees in the background. The landscape is calm, open, with a distant horizon and a clear sky. There is a fence made of wooden posts, slanted, that runs diagonally across the stage. This appears to be a photo taken in broad daylight, capturing the tranquility of the countryside.

War, Sermaize, Glass photo stereo plate, positive black & white 4.5×10.7 cm

PLEASE NOTE this is a POSITIVE. Dimensions of the plaque: approximately 4.5 x 10.7 cm. Photo taken by a soldier photographer during the First World War. May 6, 1916, Sermaize, Somme, France. The image shows a scene of destruction, with partially destroyed buildings and ruins scattered on the ground. Chimneys and brick structures still remain standing, recalling traces of the original architecture, but many of the walls and structures appear to have been blown away or demolished. Soldiers or civilians appear in the scene, observing or passing through this environment marked by the ravages of war. The decor suggests an urban or industrial site which suffered heavy damage, probably during the fighting of the First World War.

Photo Analogue Asia Indochina Arroyo Chinese Saigon 5 7/8X9 3/8in 1930

PROCESS Country Subject/description/caption FORMAT era Film Asia Indochina 15X24cm 1930 REFERENCE Signature editor/photographer Theme Color state 03/28/2026 1:28:48 p.m. photographer’s signature Gastaldy landscape Black and white very good condition WELCOME Thank you for visiting my store. ROBIN CLOUET EBAY SHOP Here you will find usable or collectible film cameras, vintage and recent photos. All details are precisely specified in the advertisements, period statements, original prints, reprints, etc. Returns are accepted within 14 days without conditions. And of course, we remain at your disposal to answer all your questions.

Fontaine-de-Vaucluse, Bikes, Photo Antique Plate Glass, Psotive 3 5/16×3 7/8in

Dimensions of the plate: approximately 8.5 x 10 cm. This collection belonged to a photographer who worked for the Maison de la Bonne Presse. La Maison de la Bonne Presse is a publishing house founded in July 1873. The company was called Maison de la Bonne Presse until 1969. The name of the group, considered a little outdated and possibly suggesting that the competition as a whole constituted “bad press”, changed in 1970 to Bayard Presse. A stop on the banks of the Sorgue, Fontaine-de-Vaucluse.

Alpes Suisses, Women, Photo Antique Plate Glass, Sepia, 3 5/16×3 7/8in

This plate comes from a private collection that belonged to a photographer collaborating with the Maison de la Bonne Presse. Founded in July 1873, Maison de la Bonne Presse was an important French publishing house. It had this name until 1969, before becoming Bayard Presse in 1970, in order to modernize its image. On a terrace overlooking the valleys, two young women pose side by side, dressed in traditional Alpine costumes: fitted bodice, white apron and dark skirt. Behind them, the snowy peaks are silhouetted in a soft light, probably those of the Bernese Oberland. The simplicity of their posture contrasts with the majesty of the setting: the mountain, eternal and imposing, facing ephemeral youth. This image illustrates both the attachment to local traditions and the wonder of Belle Épo.

La Descent Of La Cross, Photo Antique Plate Glass, Black & White, 3 5/16×3 7/8in

This plate comes from a private collection that belonged to a photographer collaborating with the Maison de la Bonne Presse. Founded in July 1873, Maison de la Bonne Presse was an important French publishing house. It had this name until 1969, before becoming Bayard Presse in 1970, in order to modernize its image. The body of Christ, inert, is detached from the wood of torture. Men, perched on ladders, support his still nailed arms, while other disciples collect his body to give it to his mother and the holy women. Mary, standing at the back, contemplates in silent pain her Son who died for the salvation of men. – Detail: ladders, shroud linen, body of Christ surrounded by disciples and mourning women This scene, imbued with gravity and tenderness, translates both the end of the Passion.