1952 JIMMY SAVO Vaudeville By RICHARD AVEDON Broadway Juggler Mime Photo Art
1952 Jimmy Savo By Richard Avedon Broadway Vaudeville Juggler Mime Photo Art FINEPHOTO: «Since 1989 – The Name You Can Trust For Fine Vintage Photogravures, Photographs & Antique Prints.» – Serving the Design & Decor trades for over 20 years. See our vintage and original prints featured in Coastal Living, Dwell Magazine and other fine quality publications. *WE LIST DOZENS OF NEW ARRIVALS EVERY DAY! Please Visit Our eBay Store where you can search our World Class Selection of authentic vintage prints by photographer or subject. Browse THOUSANDS of fine vintage photography prints from silver gelatin to photogravure. *** This Vintage 1959 Photogravure Comes Professionally Dry Mounted On 8 x 10 inch Black Archival Presentation Mat Board And Is Ready To Place In A Standard Size Frame. Print Specifications: Photographer: Richard Avedon (American, 1923 – 2004) – internationally renowned portrait and fashion photographer, one of the most important and influential photographers during the last half of the twentieth century. Subject: Jimmy Savo – American vaudeville, broadway, juggler, mime artist and comedian Date Of Negative: 1952 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Héliogravure.Date Of Print: 1959 Print/Platemaker: C.J. Bucher Ltd., Lucerne, Switze Paper: Medium weight – satin/matte finish Print Origin: Switzerland Approximate Image Size: 6 x 5 inches Mount Board Size: 10 x 8 inches Mount Board Color: Black Print Border: No – full bleed print. Condition Grade: Extra Fine ++ Verso: Professionally dry mounted with Bienfang archival materials onto sturdy 4ply museum mat board. Registered Vintage Archive Serial #: 124K7CO5 Certificate Of Authenticity (COA): Yes – individual hand signed COA from fine Photo Galleries. Shipping: USPS with MUSEUM QUALITY ARCHIVAL PACKING Guarantee: Always 100% Complete Customer Satisfaction Guaranteed! Finephoto is pleased to offer an authentic (NOT a computer scanned reprint), genuine 1959 sheet fed photogravure plate produced from the original negative/print by the internationally renowned American photographer Richard Avedon. One of the most significant photographic artists of the 20th century, Avedon’s iconic portrait and fashion images are held in important collections and museums throughout the world. This LARGE FOLIO SIZE sheet fed photogravure was engraved and printed in quality sheet fed photogravure by the highly regarded Swiss engraving house of C.J. Bucher Ltd.. Whether you collect photogravure prints or are simply looking for extraordinary home or business decor, this extraordinary photogravure will frame and display beautifully! This photogravure is guaranteed to be authentic and comes with a hand signed CERTIFICATE OF AUTHENTICITY (COA) with unique individual registered serial number from the Finephoto Archive & Database. Under magnification this plate shows a tight «honeycomb» cell structure, uniform pressing of ink and a wide range of tone – all indicative of a high quality sheet fed gravure plate. The watermark word «Finephoto» does not appear on the actual print. READY FOR FRAMING & DISPLAY! – The expensive engraved copper plate photogravure process and the resulting fine prints make vintage photogravures highly collectible and excellent vintage prints for framing. Your vintage print will arrive ready to be placed directly into a standard size frame. While most of our clients frame our quality mounted vintage prints right out of the box exactly as delivered, you also have the option of adding an overlay window mat in the color or style of your choice which can be inexpensively done with a quick visit to your local arts/crafts store or framing shop. MUSEUM QUALITY PACKING & SHIPPING! – All vintage prints are expertly packed and shipped by USPS First Class Mail with Delivery Confirmation and Insurance. Secure archival packaging includes water/tear resistant carrier, custom made 275 lb. triple wall inserts, individual acid free black archival backing boards, individual ultra clear heavy duty archival print protectors and a hand signed Certificate Of Authenticity (COA) from Finephoto. ABOUT PHOTOGRAVURE: Photogravure is an intaglio print making process utilizing a carefully etched copper plate made from the original negative/image. Prints are made by pressing suitable paper heavily down upon the inked copper plate which has been intricately etched to varying depths corresponding with the actual tonality of the original negative, This precisely etched plate combined with a fine «honeycomb» screen controls the amount of ink to be transferred to the paper at any given point in direct proportion to the variation of tone in the original image. The result is a true continuous tone print which combines many qualities of a traditional silver based photograph with a tactile feel similar to an etching, engraving or lithograph. Rich in tonal detail, the photogravure process produces delicately rendered shades for a look which is unique in the world of photographic print making. In the early to mid 1900’s photogravure was selected (when budgets allowed) for special high quality publishing and portfolio projects, but due to its significant expense and labor, the process is rarely seen today. From Man Ray and Ruth Bernhard to Brett Weston and Ansel Adams, many of the world’s most renowned photographic masters have published their images in the rich photogravure process. ***WARNING: The above listing description is COPYRIGHT protected material under United States & International Copyright & Intellectual Property laws. Unauthorized copying or use of ANY PART of this description is prohibited. We vigorously pursue copyright infringement. The entire text of this listing description is Copyright protected – © by K.W. Wright. inkfrog terapeak Track Page Views With Auctiva’s FREE Counter
Penelope Tree – Richard Avedon Photograph – 16 x 20 Inch 8 ply Matted Print
Penelope Tree, model, New York City, photographed by Richard Avedon.
Abbie Hoffman, Chicago 7 Trial, 1969, Richard Avedon Photo, Matted Print
Abbie Hoffman as photographed by Richard Avedon. Print is ready for framing.
Cesar Chavez – Richard Avedon Photograph – 16 x 20 Matted Print
Cesar Chavez as photographed by Richard Avedon in Keene, California.
Louise Nevelson – Richard Avedon Photograph – 16 x 20 Inch, 8 ply Matted Print
Louise Nevelson, Sculptor, photographed by Richard Avedon.
AVEDON, Richard. (1923–2004) : Marlene Dietrich in Bedroom, 1948
AVEDON, Richard. (1923–2004) : Marlene Dietrich in Bedroom, 1948 AVEDON, Richard. (1923–2004) : Marlene Dietrich in Bedroom, 1948 Avedon, Richard. (1923–2004) [Dietrich, Marlene (1901-1992)] Marlene Dietrich in Bedroom, 1948 Original silver gelatin photograph of the iconic singer and actress, as captured by the 25-year-old Richard Avedon for Harper’s Bazaar, 1948 around the time of the filming of The Foreign Affair, and depicting the actress with her famous and very problematic African lenci doll. On the original photographer’s mount, signed «Avedon» in black ink beneath the photograph and with the photographer’s stamp to mount verso. A few areas of expert restoration and retouching, overall in very fine condition. Print 10 7/16″ x 11 7/16″ ; mount 11 11/16″ x 14 7/8″. Framed to 26 x 19 inches (66.5 x 49 cm); 24 x 17 (61 x 43cm) overall. An extraordinary original early Avedon photograph with special provenance from the collection of Paul McMahon, a critic, photographer and artist who worked for more than 13 years touring with Marlene Dietrich as the icon’s stage manager, announcer, dresser, secretary and escort. «Scholars of the German film star have debated many of the contradictions in her screen roles and in her life. [Judith] Mayne singles out one that other scholars have apparently shirked confronting: «The particular contradiction that I find the most challenging in relationship to Dietrich is that this icon of sophistication and glamour was the proud owner of a black doll, which she called her ‘mascot’ and carried with her everywhere during her career.» The chief source of information about the doll is a memoir that Dietrich’s daughter, Maria, published in 1992. Drawing from that memoir, Mayne describes the central role that the doll had in Dietrich’s life:»Marlene came home in a fury one day, desperately digging through trunks and accusing little Maria of having stolen her doll. Maria knew that her father, Rudolf Sieber, had been fixing the grass skirt of the doll; the father is thus identified as both maternal and as the devoted handmaiden to his wife’s desires. Daughter Maria concluded that the doll was Dietrich’s ‘good-luck charm throughout her life – her professional one’.»Mayne reports that this was not the only doll Dietrich owned, and that this doll was not a strictly private object. «Indeed, attentive viewers might well recognise the doll from Dietrich’s films as well as from publicity postcards of the actress, often in the company of yet another one of Dietrich’s dolls, a so-called Chinese coolie doll, made by Lenci.» Mayne concentrates her analytical powers on the black doll, dismissing the Chinese coolie doll as probably just «a companion» to the other, and paying the other dolls scarcely a mention.The black doll appeared in at least four of Dietrich’s films, including the one that made her famous, The Blue Angel. Mayne concentrates on that film. In so doing, she gives us her highly original – and, I must say, challenging – take on Dietrich, dolls, and fetishism:»It is perhaps easy (too easy) to see the doll in The Blue Angel as a classic fetish … Fetishism, understood now more as the ambivalence of the ironist than the dread of the phallocrat, is, if not celebrated, then at the very least explored as offering an understanding of multiple identifications and positions … [But] the racial dynamics of Dietrich’s relationship with her dolls foreclose any simple celebration of fetishism as necessarily subversive.» (Marc Abrahams, «Hello Dolly,» published The Guardian, December 6, 2004) Schubertiade Music & Arts LLC – BUY WITH CONFIDENCE! ***ALL AUTOGRAPHS GUARANTEED AUTHENTIC WITHOUT LIMIT*** I was the President of the Professional Autograph Dealers Association from 2013-2018 and a leading and trusted authenticator of autographs, including for many of the world’s auction houses and for James Spence (JSA). Schubertiade Music & Arts are also members in good standing of ABAA/ILAB, the most exclusive consortium of Rare Book and Manuscript Dealers in the world, as well as the MLA (Music Librarian Association), and MARIAB (Massachusetts and Rhode Island Antiquarian Booksellers). You can read more about us by searching for Schubertiade Music & Arts and may buy with utmost confidence! SCHUBERTIADE MUSIC & ARTS deals in Music, Entertainment, Literary and other Autographs, Antiquarian Music, Books, Prints, Photographs & Paintings and Ephemera. Please read more about us in our «about me» page by clicking next to our username / feedback listing. We issue seasonal and occasional catalogues – please contact us if you would like to receive notifications or let us know about your collection. Everything we offer is guaranteed authentic without limit and is so stated on the signed and detailed receipt which comes with every item. Because this Guarantee is attached to an actual and meaningful money-back guarantee (see our Terms for further details), this is much more significant than most COAs which are generally but worthless pieces of paper if not issued by recognized experts in the field and backed by a real authenticity return policy. We accept payment by ALL MAJOR CREDIT CARDS, Check, and by Paypal. Shipping Charges are as listed and are not subject to negotiation. We will of course be happy to combine shipments and do NOT charge multiple shipping charges except for large/heavy items which naturally affect the cost. We ship exclusively via insured FedEx and pride ourselves on our thorough and expert packaging. Avedon, Richard. (1923–2004) [Dietrich, Marlene (1901-1992)] Marlene Dietrich in Bedroom, 1948 Original silver gelatin photograph of the iconic singer and actress, as captured by the 25-year-old Richard Avedon for Harper’s Bazaar, 1948 around the time of the filming of The Foreign Affair, and depicting the actress with her famous and very problematic African lenci doll. On the original photographer’s mount, signed «Avedon» in black ink beneath the photograph and with the photographer’s stamp to mount verso. A few areas of expert restoration and retouching, overall in very fine condition. Print 10 7/16″ x 11 7/16″ ; mount 11 11/16″ x 14 7/8″. Framed to 26 x 19 inches (66.5 x 49 cm); 24 x 17 (61 x 43cm) overall. An extraordinary original early Avedon photograph with special provenance from the collection of Paul McMahon, a critic, photographer and artist who worked for more than 13 years touring with Marlene Dietrich as the icon’s stage manager, announcer, dresser, secretary and escort. «Scholars of the German film star have debated many of the contradictions in her screen roles and in her life. [Judith] Mayne singles out one that other scholars have apparently shirked confronting: «The particular contradiction that I find the most challenging in relationship to Dietrich is that this icon of sophistication and glamour was the proud owner of a black doll, which she called her ‘mascot’ and carried with her everywhere during her career.» The chief source of information about the doll is a memoir that Dietrich’s daughter, Maria, published in 1992. Drawing from that memoir, Mayne describes the central role that the doll had in Dietrich’s life:»Marlene came home in a fury one day, desperately digging through trunks and accusing little Maria of having stolen her doll. Maria knew that her father, Rudolf Sieber, had been fixing the grass skirt of the doll; the father is thus identified as both maternal and as the devoted handmaiden to his wife’s desires. Daughter Maria concluded that the doll was Dietrich’s ‘good-luck charm throughout her life – her professional one’.»Mayne reports that this was not the only doll Dietrich owned, and that this doll was not a strictly private object. «Indeed, attentive viewers might well recognise the doll from Dietrich’s films as well as from publicity postcards of the actress, often in the company of yet another one of Dietrich’s dolls, a so-called Chinese coolie doll, made by Lenci.» Mayne concentrates her analytical powers on the black doll, dismissing the Chinese coolie doll as probably just «a companion» to the other, and paying the other dolls scarcely a mention.The black doll appeared in at least four of Dietrich’s films, including the one that made her famous, The Blue Angel. Mayne concentrates on that film. In so doing, she gives us her highly original – and, I must say, challenging – take on Dietrich, dolls, and fetishism:»It is perhaps easy (too easy) to see the doll in The Blue Angel as a classic fetish … Fetishism, understood now more as the ambivalence of the ironist than the dread of the phallocrat, is, if not celebrated, then at the very least explored as offering an understanding of multiple identifications and positions … [But] the racial dynamics of Dietrich’s relationship with her dolls foreclose any simple celebration of fetishism as necessarily subversive.» (Marc Abrahams, «Hello Dolly,» published The Guardian, December 6, 2004) Schubertiade Music & Arts LLC – BUY WITH CONFIDENCE! ***ALL AUTOGRAPHS GUARANTEED AUTHENTIC WITHOUT LIMIT*** I was the President of the Professional Autograph Dealers Association from 2013-2018 and a leading and trusted authenticator of autographs, including for many of the world’s auction houses and for James Spence (JSA). Schubertiade Music & Arts are also members in good standing of ABAA/ILAB, the most exclusive consortium of Rare Book and Manuscript Dealers in the world, as well as the MLA (Music Librarian Association), and MARIAB (Massachusetts and Rhode Island Antiquarian Booksellers). You can read more about us by searching for Schubertiade Music & Arts and may buy with utmost confidence! SCHUBERTIADE MUSIC & ARTS deals in Music, Entertainment, Literary and other Autographs, Antiquarian Music, Books, Prints, Photographs & Paintings and Ephemera. Please read more about us in our «about me» page by clicking next to our username / feedback listing. We issue seasonal and occasional catalogues – please contact us if you would like to receive notifications or let us know about your collection. Everything we offer is guaranteed authentic without limit and is so stated on the signed and detailed receipt which comes with every item. Because this Guarantee is attached to an actual and meaningful money-back guarantee (see our Terms for further details), this is much more significant than most COAs which are generally but worthless pieces of paper if not issued by recognized experts in the field and backed by a real authenticity return policy. We accept payment by ALL MAJOR CREDIT CARDS, Check, and by Paypal. Shipping Charges are as listed and are not subject to negotiation. We will of course be happy to combine shipments and do NOT charge multiple shipping charges except for large/heavy items which naturally affect the cost. We ship exclusively via insured FedEx and pride ourselves on our thorough and expert packaging.eBay integration by eBay integration by
Dreams Large Spiral Bound Photography Book 12.5×9.5 Photo Essay Richard Avedon
Pre-owned spiral-bound photography book titled Dreams. Spiral binding is secure. Large spiral-bound softcover. Light wear from storage and handling.
Richard Avedon Portraits 12 Photographs Fotofolio
Richard Avedon Portraits 12 Photographs Fotofolio 1977?
Jean Renoir, Director, 1972 Fotofolio Art Print Card Photo By Richard Avedon
Inventory Code: B39.
Twiggy – Richard Avedon Photograph – 16 x 20 Inch 8 ply Matted Print
Twiggy, model, Paris, photographed by Richard Avedon.