Boat Trip, Stereoscopic Glass Plate, Black & White Positive 4.5X10.7 Cm
Dimensions of the plaque: approximately 4.5 x 10.7 cm. It is a collection that belonged to a Belgian family.
Boat Trip, Stereoscopic Glass Plate, Black & White Positive 4.5X10.7 Cm
Dimensions of the plaque: approximately 4.5 x 10.7 cm. It is a collection that belonged to a Belgian family.
Boat Trip, Stereoscopic Glass Plate, Black & White Positive 4.5X10.7 Cm
Dimensions of the plaque: approximately 4.5 x 10.7 cm. It is a collection that belonged to a Belgian family.
Boat Trip, Stereoscopic Glass Plate, Black & White Positive 4.5X10.7 Cm
Dimensions of the plaque: approximately 4.5 x 10.7 cm. It is a collection that belonged to a Belgian family.
Photo Analogue Asia Indochina Arroyo Chinese Saigon 5 7/8X9 3/8in 1930
PROCESS Country Subject/description/caption FORMAT era Film Asia Indochina 15X24cm 1930 REFERENCE Signature editor/photographer Theme Color state 03/28/2026 1:28:48 p.m. photographer’s signature Gastaldy landscape Black and white very good condition WELCOME Thank you for visiting my store. ROBIN CLOUET EBAY SHOP Here you will find usable or collectible film cameras, vintage and recent photos. All details are precisely specified in the advertisements, period statements, original prints, reprints, etc. Returns are accepted within 14 days without conditions. And of course, we remain at your disposal to answer all your questions.
Fontaine-de-Vaucluse, Bikes, Photo Antique Plate Glass, Psotive 3 5/16×3 7/8in
Dimensions of the plate: approximately 8.5 x 10 cm. This collection belonged to a photographer who worked for the Maison de la Bonne Presse. La Maison de la Bonne Presse is a publishing house founded in July 1873. The company was called Maison de la Bonne Presse until 1969. The name of the group, considered a little outdated and possibly suggesting that the competition as a whole constituted “bad press”, changed in 1970 to Bayard Presse. A stop on the banks of the Sorgue, Fontaine-de-Vaucluse.
Alpes Suisses, Women, Photo Antique Plate Glass, Sepia, 3 5/16×3 7/8in
This plate comes from a private collection that belonged to a photographer collaborating with the Maison de la Bonne Presse. Founded in July 1873, Maison de la Bonne Presse was an important French publishing house. It had this name until 1969, before becoming Bayard Presse in 1970, in order to modernize its image. On a terrace overlooking the valleys, two young women pose side by side, dressed in traditional Alpine costumes: fitted bodice, white apron and dark skirt. Behind them, the snowy peaks are silhouetted in a soft light, probably those of the Bernese Oberland. The simplicity of their posture contrasts with the majesty of the setting: the mountain, eternal and imposing, facing ephemeral youth. This image illustrates both the attachment to local traditions and the wonder of Belle Épo.
La Descent Of La Cross, Photo Antique Plate Glass, Black & White, 3 5/16×3 7/8in
This plate comes from a private collection that belonged to a photographer collaborating with the Maison de la Bonne Presse. Founded in July 1873, Maison de la Bonne Presse was an important French publishing house. It had this name until 1969, before becoming Bayard Presse in 1970, in order to modernize its image. The body of Christ, inert, is detached from the wood of torture. Men, perched on ladders, support his still nailed arms, while other disciples collect his body to give it to his mother and the holy women. Mary, standing at the back, contemplates in silent pain her Son who died for the salvation of men. – Detail: ladders, shroud linen, body of Christ surrounded by disciples and mourning women This scene, imbued with gravity and tenderness, translates both the end of the Passion.
The Denial de Pierre, Photo Plate Glass, Black & White, Positive 3 5/16×3 7/8in
This plate comes from a private collection that belonged to a photographer collaborating with the Maison de la Bonne Presse. Founded in July 1873, Maison de la Bonne Presse was an important French publishing house. It had this name until 1969, before becoming Bayard Presse in 1970, in order to modernize its image. In the courtyard of the palace, Peter, one of the most faithful disciples, bows his head, overwhelmed by shame. Around him, servants and passers-by point fingers at him: “You were with him! «. The scene, frozen in the tragic moment of denial, recalls the fulfillment of Jesus’ words: before the rooster crows, Peter will have denied him three times. The contrast between the violence of the accusers and the solitary distress of Peter underlines human fragility, even in the hearts o.
The Wedding At Cana, Photo Glass Plaque, Black & White, Positive 8.5×10 Cm
This plaque comes from a private collection that belonged to a photographer collaborating with the Maison de la Bonne Press. Founded in July 1873, the Maison de la Bonne Press was an important French publishing house. She bore this name until 1969, before becoming Bayard Press in 1970, in order to modernize her image. Under a large arch, the scene takes place in a room animated by guests. In the foreground, Jesus stands with the servants, designating the large stone jars intended for ablutions. A servant fills them with water, while others observe, incredulous. It is here in Cana de Galileo, that Jesus accomplishes his first miracle: transforming water into wine to save the wedding of embarrassment. The composition insists on the calm gesture of Christ and the suspended expectation of tho.